September 2017


MUSIC&web29 Sep 2017 10:51 am

After much ado, the dust has finally settled over at the Studio DNA camp and we’re back with a fresh New Music Digest. The brief respite gave us a wealth of newly released albums to choose from, which makes it a little easier to bring a wider selection and variety of styles. This week, we’ve got some CCM pop, an R&B album with a twinge of country, and some rap – all capped off with an old standby in the tune du jour. As I prepared this, the theme that came through was one of finding your lane and staying in it. Let’s just get right into it.

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Album 1: All In, by Matthew West (9/22/17)
Matthew West is probably one of the more likeable guys you could ever meet in the industry. This is technically his seventh studio album according to PR standards, but that excludes at least 2 Christmas albums, not to mention 3 independent releases, which I understand. He first hit my radar in the early 2000s with SELLOUT and it’s been a fun time watching his career unfold through the years, even though his core sound and song structure has remained steady.

This album opens with the title track and lead single and for a brief instant, I think it may be something entirely unexpected. The little chipmunk-y screech of “All In” conjured up images of a venture into modern rock, but alas, we are still firmly entrenched in the pop craftsmanship we have come to expect from Matthew West. Hard to not let that heavy snare that comes in for the chorus take over your head and force a nod. It’s good stuff. BROKEN THINGS comes in with an almost identical harmony, just taken slightly out of context. It’s really uncanny and it’s no surprise that this is another single currently charting high on the airwaves. These songs are so anthemic – it’s a real talent, for sure. The third song, MERCY IS A SONG, tones things down a little bit before opening up into a gospel-esque, down-home chorus. This is all exactly what you want from this album – especially if you are marketing the album.
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MUSIC&reviews25 Sep 2017 10:43 am

Well, four years can go by quickly. That’s how long it’s been since the last Music of the Day post. But as I was looking at options for adding more content, it seemed a good place to start, since it’s pretty fun and new music pretty much comes out every week – whether it’s good or not, it can still be a blast to blast… or blast. Here’s how it works. I’ll pick out five albums that have recently hit the shelves and they will be subject to my rigorous evaluations. I’ll sum my thoughts up on each album in 25 words or less (usually 25 exactly), point out two key songs, offer two similar artists that may give you a reference point, and for whimsy, I label each album with a random comparison (this week, it will be NFL quarterbacks).

Your part is to let me know in the comments if I’m on or if I’m on something. Yeah, I think that about covers it. We start in five… four… yeah, now.

Matthew West – All In
http://amzn.to/2ynZLUT | http://amzn.to/2fL3S6B (mp3)

Walking a candy aisle, knowing what to expect from each bar – some sort of chocolate with some sort of filling. That’s Matthew West to me. Kirk Cousins

GRADING KEYS: Something Greater, Never Ever Give Up
EXTRA CREDIT: Brandon Heath, Andy Grammer

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MUSIC&web05 Sep 2017 11:01 am

It’s not Monday, though it may feel like it, and there isn’t a new episode due until next week at the earliest while the studio is relocated, but here I am trying to bridge the gap by holding these show notes until some time in the middle. Eventually, I may be posting things in between these updates, but for now, my writing efforts are primarily elsewhere. Anyway, this last episode was dubbed, “Bears and Beers” and it features another wide range of styles and topics. Enjoy…

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Album 1: Painted Ruins, by Grizzly Bear (8/18/17)
It’s hard to ignore a release from a band named Grizzly Bear, I guess. At least it caught my attention and piqued my curiosity this week in the midst of a lot of nothing. And I had no idea what to expect and I know nothing about them, so I’m just going to dive right in.

Even though, I wasn’t sure what to expect, I still had expectations and they certainly weren’t what I’m hearing on the opening track, WASTED ACRES. Very soft, subtle melodies, almost like a soundtrack, but it’s charming in its own way. A steadier rhythm here on MOURNING SOUND, but still somewhat muted, almost like a 90s new wave thing going on. I’d have to listen more carefully to figure out what the lyrics are talking about, but for now, it’s just a fun listen. FOUR CYPRESSES is the third song and it starts out almost like a sped up game of Pong. I’m pretty sure I like it. I’m glad I caved in to my curiosity.
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